Crazy Water

July 23, 2013 · 14 comments

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My mother picked me up at my Manhattan office the other day so that I could take her out to lunch at a nearby faux trattoria — the kind of place that attempts to be Roman in its studied culinary insouciance, but succeeds only in doing things that Romans would actually never do, like forgetting to blanch their flowering rapini, or undercooking their eggplant, or dressing their chicory with too much acid. Lunch was pungent and biting, and when my mother stared at my head over our two iced coffees served in cheap Barolo glasses and asked if others had also noticed how white my hair appeared to suddenly be getting in spots when the light catches it just right, a knot caught in my throat and I couldn’t answer without crying, like a child; I choked on the bitterness of the meal.

Astrologically-speaking, this month was supposed to be a twice-in-a-lifetime alignment of planets and stars resulting in a fabulous period of great promise and hope fulfilled, at least for Cancerians; it was, a writer friend reminded me, also the plaiting together of three, count ’em, three, water signs coupled with a retrograde Mercury, and so when Susan and I — both of us Cancerians and me a double water sign — came home from work one night to find that a lightning strike had blown out the electrical panel controlling our well pump and the flow of water into the house, it sort of made sense, if you believe in this kind of thing. I used to question it, but then large swathes of my friends started complaining of the same sorts of water-related problems: flooded basements, burst pipes, garden hoses sliced by mowers, full water glasses dumped during dinner parties, cell phones dropped into toilets, too many tears shed out of the blue and for no reason beyond the bitter tone of conversation.

The fact of water has been everywhere;  first, it rained and rained for weeks on end, at times violently. Our local streams and rivers flooded, our gardens exploded with weeds, and foot-long worms slithered out of the earth and into the streets to avoid drowning, only to be flattened by cars; seeking safety, they found it for just a moment before getting nailed when they were looking the other way. Then, when the rains stopped and we all stepped outside to see the sun, the heat came — relentless, steaming, 100+ degree heat that made it hard to breathe, that made the world feel like the inside of a dishwasher stopped mid-cycle. I felt wobbly and unmoored, like I was on a ship in rough, crazy water.

Like I was drowning.

This has been a season of relentless discomfort that’s not so easy to write about; it can be tedious and kvetchy, so I thought instead about writing a summertime-joyful piece ending in a recipe for happy salad. But this month — these last few months — have been anything but happy salad. I’ve looked for safety and peace, like the worms, and found it for a minute — a split second of calm — before getting mashed by something else running me over from another direction. I’ve looked for sun and blue sky after the deluge, and it’s been hot as Hades. Like my old friend David Rakoff used to say, Don’t get too comfortable.

Susan’s mother, who is in her nineties, hasn’t been well now for a while; right before my book tour for Poor Man’s Feast, she’d had one in what the doctors think was probably a number of heart attacks. Since early March, there has been a passel of caregivers: the first one was taken out of the house in an ambulance (an attack of Meniere’s Disease set off by stress). The second was fired by Susan’s mother because she thought she’d be better off without her. That spawned a predictable and immediate downhill slide that resulted in a third caregiver being hired and, on occasion, nearly wrestled to the ground by my mother-in-law, who wants the car keys even though they’re not the real car keys, which we have replaced with other, non-working ones. There have been constant fits of pique; unpredictable bouts of hysteria; multiple phone calls involving cardiologists, geriatricians, social workers, visiting nurses, cousins, and the nice police officer who lives next door. There has been a serious leg gash because, at 95, my mother-in-law had to accompany the furnace man down the stairs.

The basement stairs.

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So this is our life right now, amidst the relentless rains and oppressive heat and bitterness and an exploding well pump and my mother’s pointed indication that I really need to have my hair colored, soon: a nonstop marathon, from spark to flame, from fire to cinder. We’re extinguishing what we can, breathing when we’re able, sleeping if we have time, commuting five hours a day, trying to keep ourselves healthy and our own lives moving forward with our work — our book designing and cooking and editing and my writing my next book; we’re trying to cope with the fact that my father’s sister, my beloved aunt, is also 95 and we haven’t seen her in ages, my cousin Mishka had a little boy who we haven’t as yet met, and my stepmom continues to battle lymphoma. My mother needs and demands our attention and grows sullen and pouty when she doesn’t get it; our conversation grows bitter and stilted. We miss our friends; we miss our family. Some people in our lives angrily accuse us of abandoning them, when they have no sense of how deep our love for them really is. And we miss the feisty, energetic, run-circles-around-us woman who is my partner’s mother, and who is, as Doris Grumbach once described it, coming in to the end zone, kicking and screaming and fighting the whole way, god bless her.

Susan and I both had milestone birthdays this year — me in late June; she in early July — during which we stared off into the distance, depleted, angry, exhausted, weepy, needing a break (even a brief one). The only thing Susan wanted to do on her birthday was play golf at her favorite course in northern Connecticut; the hope of a peaceful three hour sliver of a day — one out of 365 of them — made her smile. So I reserved a tee time, we played three great holes, and then the thunder roared and the lightning crackled and the skies opened up, as if on cue, and we were called off the course.

Crazy water; tears of ironic bemusement, of hunger for respite, and hunger for sleep.

I keep thinking that there must be a reason for all this exhaustion and bitterness and prolonged grief, like Anne Lamott once said, after a year when everything in her life and the lives of the people she loved went wrong and started to break, right around the time that the great rains of El Nino began:

Maybe all those tears washed me a little cleaner, like an inside shower. And maybe they somehow also watered the soil beneath me. Who knows. But I will keep you posted; more will be revealed.

Indeed. I’ll be waiting.

Crazy Water 

(Adapted from Crazy Water, Pickled Lemons by Diana Henry)

The problem with feeling completely bent out of shape and undone is that it’s easy to forget to eat — at least for me. If things are particularly gnarly, I often don’t even have the energy to cook — a pox on me! — which really is the last place I want to be when I need emotional and physical nourishment. When I get to that stage, I want food that’s comforting and easy and kind: poached fish, tender-cooked vegetables, mild Mediterranean flavors all fit the bill perfectly. I’d been making versions of this dish for years and never knew that it had an official name until I bought Diana Henry’s wonderful Crazy Water, Pickled Lemons, while I was in Seattle on tour for Poor Man’s Feast.  Originating on the Amalfi coast (and called Acqua Pazza in Italian), this gorgeous dish is really too light to be called a stew, and too flavorful to be called a poach, but it contains elements of both cooking methods. In her recipe, Diana calls for very fresh sea bass; I’ve recently become a huge fan of black sea bass, so if you can find it, use it. If not, halibut or another similar firm-fleshed white fish will work just as well.

Serves 2-3

1/2 small bunch flat leaf parsley, stems and leaves separated

4 large fresh plum tomatoes, seeded and coarsely chopped (use canned, drained San Marzanos off-season)

1 dried red chile

2 garlic cloves, coarsely chopped

5 ounces dry white wine

7 ounces fresh fish stock or water

2 lbs firm-fleshed white fish, whole or filet (sea bass, black sea bass, halibut are all suitable)*

2 slices day-old baguette, toasted and rubbed with a garlic clove

excellent quality extra virgin olive oil

Tie together the parsley stalks using kitchen twine; set aside the parsley leaves. In the bottom of a medium non-reactive pan (I like to use a deep, straight-sided stainless steel saute pan), combine the parsley stems, tomatoes, chile, garlic cloves, white wine, and fish stock or water; set the pan over medium heat and bring its contents to a simmer, and cook for 10 minutes, uncovered.

Carefully add the fish to the pan, cover, and simmer for about 20 minutes. If using whole fish on the bone, check to see if its done by looking at the meat nearest the bone; if it’s white, it’s done–if it’s translucent, it needs more time. If using thick filets, slide a paring knife into the meat and carefully take a peek.

When the fish is done, remove it to a platter and keep it warm under loosely draped foil; remove the parsley stalks from the pan and discard them. Increase the heat to a fast simmer and reduce the cooking liquid by about a quarter. Coarsely chop the parsley leaves, add them to the pan, and continue to cook for another few minutes.

Set a slice of baguette in the bottom of each individual soup plate; top with the fish, and then ladle with a healthy amount of the broth. Drizzle with a bit of olive oil and serve immediately.

 

 

 

 

 

 

 

 

 

 

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I say it quietly, under my breath, looking at my shoes.

It’s like when Pandora automatically lets my Facebook friends know that I’m listening to early John Denver. I fumble for public explanation. I drop my iPhone in the toilet while trying to quickly change the station because it’s obviously a mistake. Why am I listening to John Denver in the bathroom. Why am I listening to John Denver at all. And now, 2,315 people know the hideous, vile truth about me: I’m a sap, of epic proportion.

When my friends asked what I was doing for my 50th birthday, I was cagey. I stared at my sandals. I made a wee little joke.

I’m doing what every red-blooded, American liberal creative woman slipping into decrepitude does on their 50th birthday, I said, in my best self-deprecating pose. I’m going to hear Garrison Keillor. Live. At Lenox. With thousands of other American liberal creatives. And then I made some snide comment about the best way to clear the parking lot at Tanglewood:

Will the owner of a silver Prius with the license plate HAP-E MSW please move your car. 

It’s sad to have to resort to pathetic yucksterism of this kind, but perception is a very important thing, isn’t it? I’m a Paris ReviewBernard Henri LevyClaire Messud kind of reader, I insist. No really; I amMy iTunes folder is packed with Ben Webster and Coleman Hawkins and Robert Thurman lectures from the Rubin. Really. It is. I’ll show it to you if you want to see it.

Just as soon as I pull my iPhone out of the toilet.

(Truth: Yes to Ben Webster and Coleman Hawkins. Yes to Robert Thurman and Claire Messud. Yes to the Paris Review, on which I am hopelessly hooked. Yes even to John Denver, whose remarkable prowess on twelve-string guitar went long unrecognized. Bernard Henri-Levy, on the other hand, sometimes makes me want to tear my face off: button up your shirt, sir. Tom Jones, you’re not.)

When I learned that Garrison Keillor was going to be at Lenox on my birthday, I let out a little, slightly embarrassed squeal of delight. All I wanted to do, if I couldn’t go to Paris or eat pho cuon in the Truc Bach section of Hanoi, was sit under a big tent in the heat of a late June evening in the Berkshires, and listen to distinctly American cornball humor at the hands of a man who has made lutefisk a household word among everyone from my Jewish grandmother to the Yemeni refugees who live down the street; a man who is often compelled to sing publicly when he perhaps shouldn’t; a man who talks so sexually about fresh asparagus, and fat blueberries, and warm peach pie that you can smell the musk; a man who had the temerity to make an American poet laureate a regular guest; a man who begins every show, off-the-air, with a proud belting of The Star Spangled Banner sung on key, by a thousand or so standing ex-hippies whose hybrids sit glimmering in the fading sunlight across the road in the grassy parking lot, at least in Lenox.

Like many listeners, I have a very special, deeply personal relationship with Garrison Keillor; from January of 1990 into mid-1992, he was the only man in my apartment. It was a long stretch, even for a lesbian.

I had been through a horrible breakup — the kind that leaves you on the floor, panting, exhausted, kicked to bloody bits — and in my hasty retreat to 602 — the apartment that was home first to my grandparents, and then to my newly divorced father, and then to my widowed grandmother — I found myself alone. My friends, who were making that sickening decision who to remain close to — my ex, or me; she was bubblier but I could cook — refused to come visit: the apartment was an hour and a half from Manhattan on the F train. If I went into the city on a Saturday and stayed out late, I risked a $50 taxi ride or a dodgy nightime walk from the subway station over on Avenue U. So for nearly two years, I didn’t go out on Saturday night.

At all.

Whatever my daytime plans were on Saturdays, I’d be home by six. I’d turn on A Prairie Home Companion, pour myself a glass of wine while I cooked a quick dinner on the stovetop, and then curl up in the foyer chair with my little plate and my glass, listening to this gigantic man with the kind voice talk about quiet things and quiet lives, about hope and expectation and the sheer magnificence in mundanity.

As it happened, I was working for Garrison’s publisher at the time, and his editor, a lovely English lady as petite as Keillor is tall, came into my office one morning and told me that she’d gone to the Metropolitan Opera with him a few days earlier; if memory serves (and it may not; this was a long time ago), it was Gotterdammerungand even though Wagner just plain exhausted her, Katherine couldn’t say no when Garrison invited her, so off she went. The house lights went down, her head went back and she fell asleep and she slept straight through it, which is saying a lot for someone listening to Wagner at the Met, much less a very well-mannered English person.

That Saturday night, settled into the brown paisley foyer chair in my late grandparents’ apartment out in the furthest reaches of Brooklyn, balancing my dinner on my lap and a glass of cheap white wine on the lamp table next to me, I listened to A Prairie Home Companion the way my grandparents had listened to the radio on Saturday nights sixty years earlier. Garrison opened the show with a story about going to the opera that week with a friend who, shortly after the curtain went up, began to snore, and snored through the entire thing. The e-n-t-i-r-e thing. He said the word snore a few times, punctuating it with a sharp change in timbre, to indicate his deep surprise, or distress, or extreme amusement.

That was the closest I ever got to Keillor — that few degrees of separation thing that somehow binds us all to each other. And when I left 602 almost two years later and moved back into Manhattan, to an apartment that was literally right smack in the middle of everything, I found myself either staying home on Saturday nights to listen to Keillor’s show, or going out after eight o’clock, just so I could catch it as I was getting ready for my night out. My friends, my dinner dates — they would all ask: why do you either have to stay home, or meet us after 8? I would just stare at my shoes, in silence. Still, my Saturday nights wouldn’t be the same without him, this tall storyteller and lover of the extraordinary in the plain, who has been the only man in my life for a very long time.

So, it was a good birthday this year; the weather was lovely and although our seats weren’t great — there was almost nothing left once the tickets went on sale — I could see Keillor on stage, reduced by distance to a blue-jacketed, bespeckled blur. When the show was over and Susan took me out for my birthday dinner, we wound up where we had been the night before, at Nudel, a small and remarkable restaurant in Lenox; for a moment, we considered going white tablecloth-fancy — it being my 50th birthday and all — but instead we sat at the counter as we had the previous evening, and ate plates of local, last-of-the-season asparagus roasted on the stovetop and dolloped with fresh goat ricotta.

It wasn’t hip, or cool, or terribly cerebral food. There wasn’t any nage. It was delicious and uncomplicated and honest, just like the radio man I’ve spent every Saturday night with, lo these many years.

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Pan-Roasted Asparagus with Goat Ricotta

In a world clotted with nages and snows and gelees and deconstructions, this dish was a breath of fresh air, and a reminder that no matter how wonderful Chef Blahbaddyblah thinks he’s being by turning a trout into a Twinkie, nothing beats fresh, local, seasonal ingredients unfettered by ego. At Nudel in Lenox, this dish was served with a dollop of sunflower seed pesto accompanying the ricotta; I’m still working that out. Until then, omit it or replace it with your favorite pesto if you wish.

Serves 2

1 bunch not-mammoth asparagus, as fresh as you can find them (about 8 spears)

extra virgin olive oil

coarse sea salt

goat ricotta (or failing that, sheep ricotta)

Optional: pesto of your choosing

Snap the woody ends off the asparagus and reserve them in a container in the fridge or freezer for vegetable stock. Preheat oven to 300 degrees F.

Place the asparagus spears in a medium, oven-proof skillet set over medium-high heat, and drizzle with a bit of olive oil, just enough to make the spears shimmer. Sprinkle with sea salt, and toss the asparagus, cooking until they turn a bright green, about five to eight minutes. Dollop the spears with a few tablespoons of the ricotta and pop the skillet in the oven for another five minutes, until the cheese has softened and the spears are tender and just this side of blistered.

Serve immediately, with a swipe of pesto across the plate.

indiebound

 

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